View from studio
Completed in 1934, View from studio by Amrita Sher-Gil is an oil painting that captures a unique perspective from her Paris studio. Measuring 42 × 45.6 cm, this work showcases her characteristic loose brushwork and a focus on light and shade. The bifurcating tree trunk set against a courtyard backdrop reflects her evolving style as she moved from European influence towards incorporating Indian themes. Despite her critical view of this piece, it garnered recognition as the best oil painting by a female artist in an exhibition in Delhi in 1938.
Year 1934
About the Artwork
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Creation and Location
The painting View from studio was probably completed in 1934 from her studio located at the corner of the Rue de la Grande-Chaumière and the Rue Notre-Dame-des-Champs in Paris.
Technique and Dimensions
It is an oil on canvas painting, measuring 42 × 45.6 cm.
Style and Composition
The painting is characterized by loose brushwork and a painterly style, which was a hallmark of her work during this period. It features a bifurcating, largely leafless tree trunk against a courtyard block, reflecting her interest in capturing light and shade in a compact composition.
Recognition and Exhibition
In 1938, this painting was exhibited at the All India Fine Arts and Crafts Society's exhibition in Delhi, where it was awarded the best picture in oils and a gold medal for the best picture by a female artist. Despite this recognition, Sher-Gil herself considered it the "weakest" of the five paintings she submitted.
Artistic Context
This work can be seen as part of her transition between her European training and her eventual incorporation of Indian themes and styles. It is also noted for its similarity in style to her later landscape works, such as "Trees" (1939), with both paintings showcasing her mature and distinctive approach to landscape painting.