The Ten Largest, No. 6 (1907)
Created in 1907, The Ten Largest, No. 6 is part of Hilma af Klint's iconic series that explores the stages of human existence. This grand-scale painting embodies vibrant colors and abstract forms, echoing themes of growth and spiritual evolution. Af Klint, influenced by spiritualism and theosophy, infused her visions and inner explorations into the artwork, which is now revered as a forerunner to modern abstract art.
1906 - 1907
About the Artwork
Hilma af Klint, a Swedish painter and a pioneer of abstract art, created The Ten Largest, No. 6 following her deeply spiritual practices. Drawing inspiration from her psychic visions and beliefs in the spirit world, this painting is part of a larger series known as 'Paintings for the Temple', which she developed with a group of women artists called 'The Five'. Despite the artwork's profound significance in contemporary art, it remained largely undiscovered until the late 20th century, drastically shifting the narrative of modern abstract art history. Her unique combination of spirituality, color, and form continues to resonate with audiences, highlighting the depth of emotional and mystical expression in her art.
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Did You Know
Hilma af Klint is often credited as one of the first abstract artists, creating works long before the likes of Kandinsky and Mondrian, and her significance in the art world continues to grow as more people discover her output.
Af Klint’s work is deeply rooted in her studies of spiritualism and theosophy, allowing her to channel her experiences and visions into her paintings, which she believed were guided by higher spiritual forces.
The use of symbols in The Ten Largest, No. 6 reflects af Klint’s interest in the spiritual and metaphysical. Each element in her paintings often represents broader themes, such as the cycles of life and the interconnectedness of human experience.
