1907

About the Artwork

Hilma af Klint created 'The Ten Largest, No. 7, Adulthood' as part of her ambitious series in 1907, which she referred to as 'Paintings for the Temple.' Each painting was intended to reflect a stage of human life, with No. 7 focusing specifically on adulthood. Af Klint's work was profoundly influenced by her interest in spirituality and the occult; she believed that these artworks were guided by higher powers. This particular piece features a central bloom-like formation, symbolizing the vitality and complexity of adult life. Although af Klint instructed that her works remain hidden until 20 years after her death, they have since gained recognition for their innovative approach and profound symbolism, influencing contemporary understandings of abstraction in art.

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Did You Know

Hilma af Klint was heavily influenced by spiritualism and theosophy, attending séances and other gatherings where she believed she contacted higher entities that informed her artistic vision.
Af Klint instructed that her works should remain hidden for 20 years after her death, leading to much of her innovative work being unrecognized in the art world until the late 20th century.
Hilma af Klint is often considered a pioneer of abstract art, predating other notable abstract artists by several years, though her contributions remained largely overshadowed until the resurgence of interest in her work in the 21st century.

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