1915

About the Artwork

Hilma af Klint was not only an innovative artist but also a mystic deeply engaged in the spiritual movements of her time. Yearning to communicate profound metaphysical truths, her involvement with spiritism influenced her artistic language. The Swan, No. 18. created in 1915, emerged during her innovative period, where she sought to visually express the complex interplay between the physical and spiritual realms. This painting embodies the intersection of her artistic vision and the esoteric ideologies she embraced. Af Klint's works were intended for her inner circle and remained private, hidden from the public eye until 20 years posthumously, leading to her eventual recognition as a pioneer of abstract art.

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Did You Know

Hilma af Klint is often credited as one of the first abstract artists, significantly influencing future movements in Western art months and years before her male contemporaries like Kandinsky and Mondrian.
Af Klint’s will specified that her abstract works were not to be exhibited until 20 years after her death, which delayed global recognition of her artistic contributions until the late 20th century.
Af Klint’s paintings were heavily influenced by her practices in spiritism and Theosophy, serving as visual representations of her explorations of spirituality, humanity, and existence.

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