The Swan, No. 18 (1914 -1915)
Created in 1915, The Swan, No. 18 is part of Hilma af Klint's remarkable "Group IX/SUW" series. Utilizing oil on canvas, this artwork exemplifies exceptional abstraction marked by vivid colors and spiritual symbolism. The swan serves as a powerful metaphor, enriched by af Klint's involvement in spiritism and esoteric teachings. Through contrasting hues, including red, black, yellow, and blue, the painting reflects her unique exploration of gender and spirituality, solidifying her status as a foundational figure in abstract art.
1915
About the Artwork
Hilma af Klint was not only an innovative artist but also a mystic deeply engaged in the spiritual movements of her time. Yearning to communicate profound metaphysical truths, her involvement with spiritism influenced her artistic language. The Swan, No. 18. created in 1915, emerged during her innovative period, where she sought to visually express the complex interplay between the physical and spiritual realms. This painting embodies the intersection of her artistic vision and the esoteric ideologies she embraced. Af Klint's works were intended for her inner circle and remained private, hidden from the public eye until 20 years posthumously, leading to her eventual recognition as a pioneer of abstract art.
Did You Know
Liked what you see? Add it to your collection.
Enjoyed reading? Share it.
... continued
The Swan, No. 18
is a painting by the Swedish artist and mystic Hilma af Klint, created in 1915 as part of her "Group IX/SUW" series.
Key Details
- Series and Date: The painting is one of 24 works in the "Group IX/SUW" series, completed in 1915.
- Medium: It is an oil on canvas work.
- Style and Themes: The painting features highly abstract representations, characteristic of af Klint's style. It explores spiritual metaphors, particularly those associated with the swan, using contrasting colors such as red and black, and incorporating yellow and blue as symbols of gender.
- Inspirations: Af Klint's work was heavily influenced by her involvement in spiritism, Theosophy, and the teachings of Christian Rosencreutz and Rudolf Steiner. Her paintings often reflect complex spiritual ideas and were created during séances and spiritual investigations.
Context and Significance
- Pioneering Abstract Art: Hilma af Klint is recognized as one of the pioneers of Western abstract art, predating the abstract works of artists like Wassily Kandinsky, Piet Mondrian, and Kasimir Malevich.
- Private and Public Life: Af Klint kept her abstract works secret during her lifetime, instructing in her will that they not be shown publicly until 20 years after her death. This led to a delayed recognition of her innovative contributions to abstract art.
Current Status
- Exhibitions and Collections: The painting is part of a private collection, but works from the same series have been exhibited in various museums, including the Guggenheim Museum in New York, which hosted a major retrospective of her work in 2019.