The Large Figure Paintings, No. 5 Group 3 (1907)
Hilma af Klint's 'The Large Figure Paintings, No. 5' is a striking piece from her influential series 'The Ten Largest' created in 1907. This artwork reflects the four essential stages of life—childhood, youth, adulthood, and old age—through vibrant colors and geometric forms. Af Klint's spiritual beliefs and fascination with the occult infuse the painting with deep meaning, showcasing her avant-garde approach to abstraction long before it gained prominence. The work represents a significant moment in art history, as it laid the groundwork for future movements.
1907
About the Artwork
Created in 1907 as part of Hilma af Klint's visionary series 'The Ten Largest', 'The Large Figure Paintings, No. 5' symbolizes the rich tapestry of human existence, representing key life stages. Af Klint, a pioneering female artist, drew from her spiritual practices, including séances where she believed she communicated with spirits. Her mentor, Rudolf Steiner, also inspired her symbolic and abstract style. Despite its profound creativity, 'The Large Figure Paintings, No. 5' remained shrouded in obscurity until its public exhibition in 1986, as af Klint had requested her abstract works be kept private for 20 years posthumously. Today, af Klint's legacy is celebrated as a forerunner in the abstract art movement, challenging and re-defining traditional notions of representation in art.
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Did You Know
Hilma af Klint is often celebrated as one of the first abstract artists, creating works that predate famous abstract movements by several years. Her innovative approach incorporated spiritual and philosophical themes, setting her apart from her contemporaries.
Af Klint’s artistic vision was heavily influenced by her involvement in spiritualism and séances. She believed her work was a channel for spiritual messages, allowing her to express ideas and symbols that transcended conventional understanding.
Although created in the early 20th century, af Klint’s work went largely unrecognized until decades later. Her stipulation to keep her abstract art private for 20 years after her death led to a posthumous re-evaluation, propelling her into the spotlight as a crucial figure in art history.
