Series SUW, No 14 Swan (1914 -1915)
Hilma af Klint's Series SUW, No 14 Swan, painted between 1914 and 1915, is an exceptional work that embodies her spiritual and mystical convictions. As part of her Group IX/SUW series, this painting uses the swan as a potent symbol representing the unity of opposites and the grandeur of the spirit, incorporating techniques of automatic drawing and expressing profound themes of balance and harmony crucial for spiritual growth. The use of geometric forms and vibrant colors reflects af Klint's transition to abstract art, marking her place as a visionary in the realm of modernism.
1914 - 1915
About the Artwork
Hilma af Klint, a Swedish artist, was profoundly influenced by the spiritual movements of her time, particularly Theosophy and Anthroposophy. She believed that her artwork was a transcription of messages from the spirit world, which guided her unique approach to abstraction. The Series SUW, No 14 Swan, is emblematic of this belief, where the swan symbolizes deep spiritual themes, including balance and unity—concepts pivotal to her artistic philosophy. Her groundbreaking works challenged the conventional art narrative of the early 20th century, allowing her to emerge as a critical figure in the discussion of modern abstract art.
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Did You Know
Hilma af Klint was deeply influenced by Theosophy, a spiritual movement that explores the nature of divinity, spirituality, and the unity of all beings. This influence is prevalent throughout her work, especially in the symbolic elements.
Af Klint is regarded as one of the first abstract artists in the Western art world, with her works predating those of famous abstract painters like Wassily Kandinsky, who is often credited as the first.
Hilma af Klint believed she was receiving divine messages through her art, which she described as a form of spiritual communication. She often engaged in automatic drawing, channeling messages from the spirit world into her paintings.
