Primordial Chaos, No. 16, The WU-ROSEN Series. Grupp 1 (1906-07)
Created between 1906 and 1907, "Primordial Chaos, No. 16" is part of Hilma af Klint's "The WU/ROSEN Series," which belongs to her larger project, "The Paintings for the Temple." Measuring 20 9/10 × 14 3/5 inches, the oil on canvas piece illustrates af Klint's pioneering role in abstract art, influenced by theosophical ideas and her spiritual engagements with a group known as "The Five." This artwork showcases her departure from conventional representation towards an exploration of the inner dimensions of existence.
1906 - 1907
About the Artwork
"Primordial Chaos, No. 16" is more than just a painting; it is a testament to Hilma af Klint's journey into the depths of abstraction and spirituality. During her time, af Klint was largely overlooked by the art world, yet she devoted herself to exploring the invisible realms through her artistic expression. Her connections with the Theosophical movement and her work with "The Five" allowed her to channel her fascination with cosmic and spiritual themes into visual language. This painting, along with others in her series, sought to transcend the visible and delve into the primordial chaos that underlies existence, offering viewers a glimpse into her visionary world.
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Series and Context
The painting is part of "The WU/ROSEN Series" (also known as "Serie WU/Rosen"), a collection of abstract works that af Klint produced. This series is included in her larger body of work known as "The Paintings for the Temple," which consists of 193 paintings created between 1906 and 1915.
Medium and Dimensions
"Primordial Chaos, No. 16" is an oil on canvas painting, measuring 20 9/10 × 14 3/5 inches (53 × 37 cm).
Artistic and Historical Significance
Hilma af Klint is recognized as one of the pioneers of abstract art, predating the well-known abstract artists Wassily Kandinsky, Kazimir Malevich, and Piet Mondrian. Her work was largely unknown during her lifetime but has gained significant attention in recent years. The Guggenheim Museum's 2019 exhibition "Hilma af Klint: Paintings for the Future" highlighted her contributions to the history of abstract art.
Spiritual and Mystical Influences
Af Klint's paintings, including "Primordial Chaos, No. 16," were heavily influenced by her spiritual and mystical beliefs. She was part of a group called "The Five," which was inspired by Theosophy and sought to contact the "High Masters" through séances. Her work often represents complex spiritual ideas and reflects her interests in Theosophy and the philosophy of Christian Rosencreutz.
Current Location
The original painting is part of the collection held by the Stiftelsen Hilma af Klints Verk (The Hilma af Klint Foundation).