Year 1656

About the Artwork

Painted in 1656, Las meninas holds a crucial place in art history due to its intricate narrative and composition. Velázquez, serving as a court painter to King Philip IV, invites viewers into the royal palace with an unusually intimate glimpse of the Infanta and her entourage. The artist places himself in the scene, potentially challenging the viewer's understanding of observation, authority, and artistic creation. With the presence of the King and Queen reflected in a mirror, the work prompts a dialogue about reality versus perception, a theme that resonates through the centuries. This enigmatic quality has made the painting a focal point of scholarship and admiration, influencing countless artists and thinkers.

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Did You Know

The central figure of the painting, Infanta Margaret Theresa, was only five years old at the time of the painting. She would later become the Empress of the Holy Roman Empire through her marriage to Leopold I.
In Las meninas, Velázquez includes himself in the composition, showcasing his role as both artist and participant in the royal court. This was a groundbreaking choice for artists of his time, blending the lines between observer and subject.
Las meninas has sparked numerous debates and discussions about its interpretation. Art historians continue to explore the themes of reality versus illusion, with some suggesting it is a commentary on the nature of artistic creation and the role of the observer.

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