Group X, No. 2, Altarpiece (1915)
Group X, No. 2, Altarpiece is an evocative masterpiece completed in 1915, forming part of Hilma af Klint's visionary 'Altarpieces' series created between 1906 and 1915. The painting is marked by an inverted triangle representing celestial forces descending to earth, contrasting with its predecessor. Executed in oil and metal leaf, this work symbolizes harmony and transcendence through its geometric shapes and mystical orbs, captivating viewers with its spiritual depth.
1915
About the Artwork
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Series Context
The "Altarpieces" series, including "Group X, No. 2," is part of Hilma af Klint's larger body of work known as "The Paintings for the Temple," which she created between 1906 and 1915. This series was envisioned as part of a spiritual temple, with the paintings serving as key elements in a meditative and transcendent journey.
Specific Painting
Group X, No. 2, Altarpiece is one of the three final works in the "Altarpieces" series, completed in 1915. Unlike "Group X, No. 1," which features an ascending triangle and a golden sunlike circle, "Group X, No. 2" is described as having a darkly-colored, inverted triangle. This inverted triangle is interpreted as guiding celestial forces down to the earth, contrasting with the ascending theme of "No. 1."
Medium and Dimensions
The paintings in the "Altarpieces" series, including "Group X, No. 2," are executed in oil and metal leaf on canvas. However, specific dimensions for "Group X, No. 2" are not provided in the sources, but "Group X, No. 1" measures 93 1/2 × 70 7/10 inches (237.5 × 179.5 cm).
Symbolism and Theme
The "Altarpieces" series, including "Group X, No. 2," is characterized by geometric shapes, orbs, and a transfixing symmetry. These elements are imbued with symbolism and are meant to convey messages from a mystical plane. The series as a whole aims to create a sense of harmony and transcendence.
Exhibition and Recognition
Hilma af Klint's works, including the "Altarpieces" series, gained widespread recognition decades after her death, particularly following the "Hilma af Klint: Paintings for the Future" exhibition at the Solomon R. Guggenheim Museum in New York.