Context and Series

This painting is included in a series where af Klint explored the standpoints of different religions, using geometric and symbolic representations. The series begins with a circle divided horizontally into black and white halves, symbolizing the interplay of opposites, a theme reminiscent of the Taoist Yin-Yang symbol.

Symbolism and Themes

In "Buddha's Standpoint in the Earthly Life - No. 3a," af Klint employs her distinctive visual vocabulary, which includes geometric shapes, bold colors, and symbolic elements. The painting likely incorporates elements that reflect Buddhist philosophy, such as the balance and harmony that are central to Buddhist teachings. Her use of geometry and color aims to convey complex spiritual ideas that are difficult to express in words or through figurative art.

Style and Technique

Af Klint's style in this period is characterized by a blend of abstraction and symbolic representation. The paintings from this series often feature geometric shapes, lines, and circles that intersect and overlap, creating a sense of depth and energy. This approach reflects her background in both art and science, as well as her interest in spiritual and mystical themes.

Significance

This work, like much of af Klint's art, was created with the intention of conveying spiritual and philosophical messages rather than seeking recognition in the art world. Her paintings were often guided by what she believed were instructions from higher, etheric beings known as the High Masters, and she saw her art as a way to enlighten humanity. The painting is now part of the public domain and is widely available for study and appreciation, contributing to the growing recognition of Hilma af Klint as a pioneer in abstract art and spiritual expression.