Amrita Sher-Gil Self Portrait (1929 - 1934)
Amrita Sher-Gil, an influential Indian painter, created remarkable self-portraits in the early 20th century, particularly during her time in Paris. Her self-portraits, such as 'Self-Portrait as a Tahitian' and 'Untitled (Self Portrait)' from 1931, reveal her exploration of identity and artistry. These artworks reflect her unique blend of Euro-Indian influences and showcase her significant contributions to modern art. Her body of work portrays the complexities of her experiences and her cultural connection.
1929 - 1934
About the Artwork
Amrita Sher-Gil, often referred to as the 'Frida Kahlo of India', was a trailblazer in her exploration of identity through art. Her self-portraits, painted primarily during her formative years in Paris between 1929 and 1934, served as both personal reflection and public statement. The 'Self-Portrait as a Tahitian' is particularly notable for its brave depiction of her hybrid identity, showcasing an intimate and fierce representation of femininity while embracing modernist techniques. In 'Untitled (Self Portrait)', her choice of profile views reflects an emotional distance, allowing her to express her internal conflicts and absorption of European art conventions. Through these pieces, Sher-Gil crafted a dialogue between her Indian roots and her exposure to Western art movements, marking her as a pivotal figure in the evolution of Indian modernism.
Click on the image to enlarge
Did You Know
Amrita Sher-Gil is regarded as one of the most important artists in Indian modern art and her works continue to inspire generations of artists in grappling with themes of identity and cultural hybridity.
Sher-Gil’s time in Europe, particularly in Paris, greatly influenced her style and approach, where she was exposed to contemporary art movements while maintaining her Indian cultural roots.
Despite passing away at a young age, Sher-Gil’s artistic legacy was recognized during her life, with her works being exhibited in various prestigious galleries and reflecting the vibrancy of Indian modern art.
