Group IV, No. 1, Childhood
'Group IV, No. 1, Childhood' is the inaugural piece of Hilma af Klint’s groundbreaking 'The Ten Largest' series, crafted in 1907. Unveiling themes of innocence and growth through rich floral symbols and bright hues, this tempera on paper work invites viewers into a realm where art and spirituality intertwine. The painting represents a unique expression of childhood through abstract forms, demonstrating af Klint's innovative pioneering spirit and her belief in a circular, evolving existence.
1907
About the Artwork
In 1907, Hilma af Klint, in response to a profound spiritual vision, created 'Group IV, No. 1, Childhood', which signifies the innocence and purity of early life. As part of her landmark series, 'The Ten Largest', this artwork channels her philosophical exploration of the human experience. Klint believed that these paintings formed a sacred dialogue about our existence and spiritual progression. She utilized luminous colors and abstract forms to convey profound emotional and spiritual messages, making this work an essential component of both her oeuvre and the broader narrative of modern art.
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Did You Know
Hilma af Klint is often considered one of the first abstract artists, predating many well-known abstract movements and figures, including Wassily Kandinsky. Her spiritual and philosophical approach to art marked a significant shift away from traditional representation.
Klint’s art was strongly influenced by her participation in spiritualism and séances, providing her with the visions that guided her work. This particular painting is infused with her exploration of the spiritual journey of humanity, making it a deeply personal statement.
Although she created over 1900 works, af Klint kept ‘The Ten Largest’ series largely hidden from the public for decades, believing them to be too advanced and meaningful for her contemporaries, which delayed recognition of her monumental contribution until many years later.
