Created in 1893, There Comes Papa offers a glimpse into familial relationships shaped by the Nair matrilineal system. The absence of the father figure invokes new meanings of emotional connection in a traditional context. Varma, who adeptly fused Indian subjects with European techniques, presented this painting as part of a broader narrative reflecting cultural evolution. Its display at the World's Columbian Exposition positioned it in an ethnographic context, questioning the boundaries of art versus cultural representation, while also showcasing Varma's notable achievements and recognition as an artist.

Subjects and Models

The painting features Raja Ravi Varma's daughter, Mahaprabha Thampuratti, holding her one-year-old son, Marthanda Varma. A pet dog is also included in the scene, looking out along with the mother and child, anticipating the arrival of the father

Technique and Style

Varma employed techniques from European art to represent Indian ideals of domesticity and femininity. The painting showcases his use of naturalism, shading, and lighting, which were well-regarded by his contemporaries. However, the naturalism in his work was later criticized in the early 20th century for being a Western influence

Cultural and Social Significance

The painting reflects a blend of Indian and European artistic styles. The inclusion of a dog, which was considered unclean in Indian culture at the time, was suggested to appeal to American viewers and reflects European domestic ideals. The scene also carries significance in the context of the Nair matrilineal system, where the absent but approaching father symbolizes a shift towards nuclear family structures