1501 - 1519

About the Artwork

Commissioned as an altarpiece for the Church of Santissima Annunziata in Florence, The Virgin and Child with Saint Anne reflects both personal and theological complexities. The painting emphasizes the mother-daughter bond between Mary and Anne, foregrounding their physical interaction while infusing the scene with evocative symbolism. Leonardo's innovative techniques, such as sfumato, contribute to the ethereal quality of the figures against a misty landscape, inviting viewers to contemplate the spiritual and emotional dimensions intertwined in this work. Mario was uniquely captured as he struggles with a lamb, prefiguring his own sacrificial fate. Despite its initial intended purpose, this powerful piece found its home in the Louvre, marking its journey through artistic history.

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Did You Know

Leonardo da Vinci’s depiction of Mary seated on her mother’s lap was a groundbreaking approach for the time, as this intimate portrayal emphasizes the nurturing aspect of motherhood, deviating from traditional representations of religious figures.
The lamb held by the infant Jesus symbolizes both innocence and foreshadows his future sacrifice for mankind, an essential aspect of Christian theology that highlights the depth of Leonardo’s understanding of narrative within art.
Sigmund Freud’s interpretation of the piece brought a psychological aspect to art analysis, suggesting that Leonardo’s complex relationship with maternal figures influenced his portrayal of Mary and Anne. This interpretation sparked further discussions on the intertwining of personal experiences with artistic expression.

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