The Entombment (1500)
Created during the Italian Renaissance, Michelangelo's The Entombment portrays the poignant moment of Jesus Christ's burial. The piece intrigues viewers with its unfinished state, showcasing Michelangelo's unique technique of layering colors and forms rather than outlining the entire composition first. Housed in the National Gallery in London, this work illuminates the depth of emotion and physicality the artist could convey, making it a key piece in understanding Renaissance art and Michelangelo's vision.
Around 1500-1501
About the Artwork
Originally intended for the church of Sant'Agostino in Rome, The Entombment was a project that Michelangelo left unfinished, returning payments to the commissioning body. This decision may have stemmed from his dedication to other major works, including the famed statue of David. The unfinished state offers a rare glimpse into the artist’s methodology, highlighting the challenges he faced as an artist balancing multiple monumental projects. The work's rediscovery and subsequent inclusion in the National Gallery in 1868 after years of obscurity adds to its fascinating narrative.
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Did You Know
Michelangelo often left works unfinished, which allowed art historians to study his techniques deeply, revealing his innovative approach to the human figure and composition.
The vertical positioning of Christ’s body in The Entombment suggests a profound link to themes of resurrection, echoing mixed emotions of loss and hope.
The painting was obscured for many years until it was rediscovered by art dealer Robert Macpherson, who recognized its significance and facilitated its sale to the National Gallery.
