Year 1908

About the Artwork

Monet created The Church of San Giorgio Maggiore, Venice during a transformative journey to the city in 1908, a time when he was grappling with the limitations of his eyesight due to cataracts. Despite these challenges, Monet's creativity flourished as he captured the ethereal beauty of Venice. The series in which this painting belongs was painted onsite and later completed in his studio in France. This experience marked a crucial time in his artistic evolution as he celebrated the visual poetry of light in water, particularly through the picturesque lens of Venetian architecture. The gondolas in the foreground provide a moment of activity against the tranquil backdrop of the church, symbolizing the enduring charm of the city. This work not only stands as an artistic achievement but also reflects a personal narrative of resilience.

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Did You Know

Monet’s visit to Venice in 1908 was significant as it inspired a series of paintings that would highlight the beauty of light and atmosphere, showcasing the charm of Italy through the lens of Impressionism.
Despite struggling with cataracts, Monet’s ability to capture light and color in The Church of San Giorgio Maggiore, Venice exemplifies his artistic genius during a time when his eyesight was deteriorating.
The painting is not only a part of Monet’s legacy but has also woven itself into the cultural fabric of Venice, showcasing the city as an enduring muse for artists throughout history.

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