Location and History

The painting is housed at the Musée des Beaux-Arts de Nancy in Nancy, France. It was given by Henry II, Duke of Lorraine, to the newly founded primatial church in Nancy, possibly as early as 1609 when the church was provisionally opened to the public

Composition and Style

The painting depicts two main figures: the Virgin Mary and the angel Gabriel. Gabriel is shown floating on a cloud, holding lilies which symbolize the Virgin. The Virgin is in a prostrate position, reflecting her reaction to the announcement. The work exhibits Caravaggio's characteristic use of sfumato and tenebrism, with most of the painting in darkness except for the two main figures

Artistic Technique

The painting showcases an advanced Baroque treatment of space, with the angel appearing to protrude outside the picture plane, creating an illusionistic effect. This technique is more pronounced than in Caravaggio's earlier works, such as seen in the head of Goliath in the Borghese David

Condition and Attribution

The painting has undergone significant damage and retouching over the years. Despite this, the angel's figure is still attributed to Caravaggio's brushwork, particularly notable for its energetic pose. The loose and summary handling of the painting is consistent with Caravaggio's late manner

Interpretation

The painting conveys a dramatic and psychologically effective contrast between the energetic pose of Gabriel and the calm, yet seemingly crushed, receptivity of the Virgin. The Virgin's self-absorption and lack of joyous acceptance suggest an existential sadness and a sense of the weight of her future role

Dimensions

The painting measures 285 cm by 205 cm (112 inches by 81 inches)

Overall, The Annunciation is a late work by Caravaggio that highlights his innovative use of light and space, as well as his ability to convey deep emotional and psychological depth in his subjects.