Medium and Dimensions

The painting is an oil on canvas work, measuring 15 5/8 x 23 9/16 inches (39.69 x 59.85 cm).

Composition

The painting depicts a tightly cropped view of a tabletop, set diagonally to the picture plane. On the white tablecloth, there are three bottles and a goblet, all made of glass and filled with water, wine, and brandy. Additionally, there is a plate with butter and a knife, and a loaf of baguette at the far end of the table. The edge of the table blends into the grey wall behind, with a corner of a painting and a door visible in the background.

Artistic Focus

Monet focuses on the effects of light transmitted through the different colored glass and liquids, showcasing his early interest in light and atmosphere. The painting also exhibits ambiguities, such as the table merging into the wall, which highlights Monet's experimental approach to composition and technique.

Provenance

The painting has had several owners throughout its history. It was initially gifted by Monet to Eugene Boudin and later passed through various collectors, including Edmond Mâitre, Durand-Ruel, and the Lafon collection. It was purchased by Leigh B. and Mary Lasker Block in 1958 and later acquired by Paul Mellon. In 1999, it was bequeathed to the National Gallery of Art in Washington, D.C., where it is currently part of the Collection of Mr. and Mrs. Paul Mellon, with the reference number 2014.18.32.

Exhibition History

The painting has been exhibited in several notable exhibitions, including shows at The Royal Scottish Academy, Edinburgh, The Tate Gallery, London (1957), and the National Gallery of Art, Washington, among others.

Significance

This work is significant as it marks one of Monet's early explorations into still life painting, showcasing his promise and exceptional ability in composition, technique, and the depiction of light and atmosphere. It contrasts with his later, more famous water lily series, highlighting the development of his artistic style over his career.