Ships Riding on the Seine at Rouen (1872-1873)
Created in 1872-1873, Ships Riding on the Seine at Rouen showcases Claude Monet's groundbreaking approach to Impressionism, emphasizing light and atmosphere over precise detail. The oil on canvas work, measuring 37.7 cm by 46 cm, reflects the everyday life of 19th-century France through its rendering of ships on the Seine. Notable for its rich provenance and numerous exhibitions, the painting encapsulates Monet's dedication to portraying transient beauty in his natural surroundings.
1872 - 1873
About the Artwork
This artwork exemplifies Claude Monet's innovative technique and his fascination with effects of light and color. Painted during a transformative period for Monet, Ships Riding on the Seine at Rouen captures the vibrant interplay of boats and water in Rouen, invoking the essence of modern life in the late 19th century. Monet's signature brushwork invites viewers to immerse themselves in the scene, reflecting his passion for capturing transient moments. The painting's journey through various respected collections adds to its historical gravitas, representing the enduring impact of Impressionism in the art world.
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Medium and Dimensions
The painting is executed in oil on canvas and measures 37.7 cm by 46 cm (14 13/16 by 18 1/8 inches).
Provenance
The painting has a rich provenance, having been owned by several notable collectors. It was initially owned by Ernest Hoschedé, then sold at various auctions, including the Hoschedé sale in 1878 and the Dachery sale in 1899. It later belonged to Ernest Cognacq and his grand-nephew Gabriel Cognacq. The painting was acquired by Ailsa Mellon Bruce in 1955 and was bequeathed to the National Gallery of Art in Washington, D.C. in 1970.
Inscription
The painting is signed by Claude Monet in the lower left corner.
Exhibition History
Ships Riding on the Seine at Rouen has been exhibited in numerous significant exhibitions. Some notable exhibitions include: 'Exposition du Centenaire Monet-Rodin' at the Musée de l'Orangerie in Paris in 1940, 'French Paintings of the Nineteenth Century from the Collection of Mrs. Mellon Bruce' at the California Palace of the Legion of Honor in San Francisco in 1961, 'Impressionist and Post-Impressionist Masterpieces from the National Gallery of Art' at the State Hermitage Museum in Leningrad and the State Pushkin Museum of Fine Arts in Moscow in 1986, 'Monet in Normandy' at the California Palace of the Legion of Honor and other locations in 2006-2007, and 'Monet and the Seine: Impressions of a River' at the Philbrook Museum of Art and the Museum of Fine Arts, Houston in 2014-2015.
Style and Context
The painting reflects Monet's early Impressionist style, characterized by his focus on capturing the effects of light and the everyday scenes of modern life. Monet's method of painting the same scene multiple times to document the changing light is evident in this work, which is part of his broader ambition to document the French countryside and urban landscapes.