Date and Version

The painting was completed in 1826. It is one of several versions Constable painted of Salisbury Cathedral, each with distinct characteristics. This particular version was painted after the Bishop of Salisbury, Dr. John Fisher, requested a more serene sky, as the earlier version had a dark, cloudy sky.

Composition and Technique

Constable spent considerable time preparing for this painting, creating numerous pencil and oil sketches from different viewpoints. The final composition is a composite of these sketches, with topographical features artfully arranged. The painting features the cathedral across the River Avon, with large trees framing the spire and other elements like Leadenhall and the church of St Thomas, which are not visible from the actual viewpoint.

Symbolism and Themes

The painting integrates medieval monuments and nature, reflecting Constable's deep connection to both. The large trees and the cathedral spire are depicted as if invigorated by the same divine force. The work is also symbolic; for instance, the cathedral represents faith, while the natural elements symbolize the creator of nature. Constable's dedication to Christianity is evident in how he highlights the cathedral as a central, elevated element.

Personal Connections

Constable had a close relationship with Bishop John Fisher and his nephew, Archdeacon John Fisher, which influenced his work on this painting. The Bishop and his wife are even depicted in the foreground of another version of the Salisbury Cathedral paintings.

Artistic Influences

Constable's work was influenced by earlier landscape painters such as Claude Lorrain and Thomas Gainsborough. The composition, particularly the use of trees and human or animal figures in the foreground, shows similarities with the works of these artists.

Current Status

While Salisbury Cathedral from the Bishop's Garden itself is not as widely discussed as 'Salisbury Cathedral from the Meadows,' it is still regarded as one of Constable's notable works. It highlights his skill in blending architectural and natural elements into a cohesive and meaningful landscape.