Portrait Of The Artist's Mother (1888)
Created in October 1888, Portrait of the Artist's Mother captures Vincent van Gogh's deep affection for his mother, Anna Carbentus van Gogh. Straying from a black-and-white photograph, Van Gogh reimagines her in radiant colors, employing expressive brushstrokes that echo his emotional perspective. The vibrant greens and reds meld to create a connection between his mother's image and Van Gogh's vivid memories, reflecting both his artistic prowess and familial bonds.
October 1888
About the Artwork
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Subject and Inspiration
The portrait is of Van Gogh's mother, Anna Carbentus van Gogh. It was based on a black-and-white photograph of her, which Van Gogh found unsatisfying and decided to reinterpret in color. In a letter to his brother Theo, Van Gogh expressed his desire to capture his mother's image in a more vibrant and meaningful way, stating, "I am doing a portrait of mother for myself. I cannot stand the colorless photograph, and I am trying to do one in harmony of color, as I see her in my memory."
Artistic Style and Technique
The painting is characterized by expressive brushwork and vivid, unsettling colors. Van Gogh used greens and yellows for the hair and skin, and accentuated the lips in red, which echoes the tones of her hat and dress. The background is a vibrant green that highlights the green in her eyes and intensifies her gaze.
Dimensions and Location
The painting is relatively small, measuring 40.5 cm × 32.5 cm (15.9 in × 12.8 in) or 16 x 12-3/4 in, depending on the source. It is housed at the Norton Simon Museum of Art in Pasadena.
Personal Significance
This portrait reflects Van Gogh's personal connection with his mother and his family. Despite strained relations with his family, Van Gogh shared his artwork with them, particularly pieces he thought they would appreciate. His mother, an amateur artist herself, had introduced him to art through her drawings and watercolors.
Context
The painting was created during a period when Van Gogh was in Arles, a time marked by both artistic productivity and personal turmoil. It is part of a series of portraits he intended to make of his family members.