Madonna of the Yarnwinder (1501)
The Madonna of the Yarnwinder is a masterful painting attributed to Leonardo da Vinci, commissioned in 1501 by Florimond Robertet, secretary to King Louis XII of France. This work captures the Virgin Mary and the Christ child in a poignant moment that intertwines domesticity and spirituality. Notably, the yarn-winder, a focal point of the composition, stands as a symbol of Christ's eventual crucifixion, illustrating Leonardo's ability to infuse deep meaning into serene settings. Although the original painting is lost, its surviving versions continue to inspire awe and admiration.
Year 1501
About the Artwork
The creation of the Madonna of the Yarnwinder began in 1501 when Leonardo da Vinci received a commission from Florimond Robertet. This artwork was enveloped in meaningful symbolism—a depiction of Virgin Mary with the Christ child, encapsulating the duality of maternal love and the foreboding of future sacrifice. The child’s engagement with the yarn-winder, resembling a cross, reflects Leonardo's profound depth of understanding of religious themes, while simultaneously showcasing his innovative artistic techniques. The painting's historical journey included various transitions and conversations about its authenticity and attribution, drawing a parallel to Leonardo's own enigmatic legacy. Today, the surviving iterations of this piece remain celebrated contributions to High Renaissance art, residing primarily in esteemed collections, with art historians tirelessly exploring their rich narratives.
