Late 19th Century (post-1887, completed pre-1903)

About the Artwork

"Departure for the Hunt in the Forecourt of a Palace of Jodhpore" is a reflection of Edwin Lord Weeks’ fascination with the East, especially during his journey to Jodhpore in 1887. Although he painted this work around a decade later, it encapsulates his memories and sketches from that time, showcasing his deep appreciation for Indian culture. Tragically, the painting remained largely unknown during his lifetime and was first publicized after his passing, gaining recognition in an estate sale feature in *The New York Times*. The scene symbolizes not just the regal hunting traditions of India but also Weeks' ability to bridge the gap between Western and Eastern art, highlighting his standing in the world of Orientalist painters.

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Did You Know

In Indian history, royal hunts were not only a leisure activity but also a demonstration of power and wealth, often involving elaborate rituals and symbolic displays of dominance over nature.
Edwin Lord Weeks was influenced by renowned artists such as Léon Bonnat and Jean-Léon Gérôme, who helped shape his distinctive style that combined realism with a vivid interpretation of Eastern themes.
The depiction of a cheetah in the painting highlights its historical significance as a hunting companion for Indian royalty, showcasing the unique wildlife that played a role in the region’s aristocratic culture.

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