Year 1916

About the Artwork

The creation of Dal Lake, Kashmir is deeply intertwined with Charles William Bartlett's artistic journey, marked by his five-year tour of Asia that began in 1913. During this extensive travel, Bartlett was influenced by the natural beauty of the landscapes and the traditional art techniques he encountered, particularly during his time in Japan from 1915 to 1917. In Japan, he connected with the esteemed publisher Shosaburo Watanabe, who introduced him to the intricacies of ukiyo-e printmaking, motivating him to craft original prints. 'Dal Lake' stands as a testament to Bartlett's artistic evolution, blending the majestic scenery of Kashmir with the refined aesthetics of Japanese woodblock printing. This piece not only represents the landscape but also symbolizes Bartlett's integration of different cultural art forms.

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Did You Know

Dal Lake, Kashmir is an exemplary piece that combines Western artistic techniques with Eastern aesthetics, showcasing Bartlett’s ability to transcend cultural boundaries in art.
Bartlett’s five-year tour of Asia was instrumental in shaping his artistic vision, as it allowed him to absorb diverse cultural influences, particularly from Japan, where he mastered ukiyo-e techniques.
Dal Lake, Kashmir has been recognized for its artistic merit, with copies preserved in significant art institutions like the Museum of Fine Arts, Boston, and the Cleveland Museum of Art, ensuring its legacy endures.

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