Subject and Model

The painting depicts Camille Doncieux, who was Monet's lover at the time and later became his first wife. She is shown wearing a green and black striped silk dress, a fur-trimmed black jacket, yellow leather gloves, and a dark capote decorated with feathers. Her hair is tied in a bun with black ribbons

Creation and Exhibition

Monet painted this work quickly, allegedly in just four days, after being advised by Gustave Courbet to submit something to the 1866 Paris Salon since his larger work, "Luncheon on the Grass," would not be completed in time. The painting was well received by critics at the Salon and marked an important moment in Monet's career

Style and Technique

Although Monet is famously associated with Impressionism, "Camille (The Woman in the Green Dress)" is more aligned with the Realist style. The painting features a life-size portrait, which was unusual for non-royal subjects at the time. It showcases Monet's attention to detail, particularly in the depiction of fabrics such as silk and fur. The background is a dark red, almost black curtain, which helps focus attention on the model

Composition and Lighting

The composition conveys a sense of movement, with the train of the dress cut off at the left edge, suggesting motion beyond the frame. The lighting is diffused and natural, likely coming from a window to the left and in front of Camille, highlighting her face, hand, and skirt while casting a shadow to the right

Significance

This painting was crucial in establishing Monet's reputation as an artist. It received positive reviews from critics, who praised its execution and the portrayal of Camille as a fashionable and avant-garde woman. The work is now part of the collection at the Kunsthalle Bremen in Bremen, Germany

Dimensions and Medium

The painting measures 231 cm × 151 cm (91 in × 59 in) and is executed in oil on canvas.