1917 - 1918

About the Artwork

'Baby (Cradle)' emerges from a transitional period in Klimt's career, representing a break from his usual portrayals of women and figures. This work not only signifies his shift towards a more abstract and geometric approach but also stands as a reflection of the tumultuous times during World War I. Klimt's exploration of colors and patterns here suggests a deeper connection to the innocence of childhood, juxtaposed against the chaos of the world outside. Originally sold to a Viennese couple in 1919, the painting traveled through several owners, ultimately finding a permanent home in the National Gallery of Art, where it resonates with visitors, capturing both a moment in time and the essence of life.

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Did You Know

‘Baby (Cradle)’ marked a significant shift in Klimt’s artistic focus from his iconic depictions of women to vulnerability and innocence, showcasing the depth and emotional connection he could evoke through a simple subject like a recumbent child.
The composition is notable for its geometric arrangements, with the baby’s head forming the apex of a triangle, demonstrating Klimt’s innovative approach to blending figures within abstract space, a hallmark of his later works.
As part of Klimt’s later oeuvre, ‘Baby (Cradle)’ reflects the culture of Austria during post-World War I, embodying themes of hope and rebirth, aspects that were deeply resonant in a time of recovery and reconstruction.

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