Location and Inspiration

Monet settled in Argenteuil in December 1871, after spending time in England and Holland during the Franco-Prussian War and the Paris Commune. Argenteuil, with its mix of industrial and leisure activities, particularly its regattas and sailing boats, was a significant inspiration for Monet

Specific Paintings

There are several paintings titled or associated with Argenteuil from this period:

The Petit Bras of the Seine at Argenteuil

This painting, dated 1872, focuses on the Petit Bras, a small tributary of the Seine separated from the main river by the Ile Marante. The scene is characterized by its tranquility, with only a few scattered buildings and two figures that could be fishing. The composition features diagonal poplar trees leading the eye into the distance, and the use of muted tones and a misty atmosphere suggests a winter scene

Argenteuil (National Gallery of Art, Washington)

This painting, also from around 1872, depicts a sun-dappled dirt road running parallel to the Seine, with a blue sky and white clouds. The viewpoint shows Argenteuil on the left and the distant hills. The painting is notable for its subtle palette and the use of light to create a sense of quietness and stability. Monet likely painted this on his boat, which he used as a studio

Techniques and Influences

Monet's work during this period was influenced by English painters such as Constable and Turner, whom he studied during his time in London. This influence is evident in his use of light to conceal contours and his attention to the fleeting appearances of shadows and reflections

Reception and Provenance

These paintings were part of the early Impressionist movement, which was met with significant public incomprehension and criticism at the time. However, art dealer Paul Durand-Ruel found some interest in these works. The paintings have since been part of various exhibitions and are now held in prestigious collections, including the National Gallery of Art in Washington, D.C., and the National Gallery in London

Composition and Style

Monet's compositions from this period often feature formal and orderly arrangements, such as the diagonal lines of poplar trees and the reflections in the water. He used a variety of brushstrokes, from bold horizontal strokes in the foreground to light, feathery touches for the trees. The colors are often muted, with an emphasis on capturing the light and atmosphere of the scene.