1902-1903

About the Artwork

The origins of 'Approaching Thunderstorm (The Large Poplar II)' can be traced back to Klimt's summer retreats at the lake, which allowed him to soak in the natural beauty around him. While visiting the Flöge family at the Litzlberg Brewery, Klimt found inspiration in the dramatic landscapes and the iconic poplar trees that punctuated the horizon. The painting reflects his deep connection to the locale and illustrates the interplay of nature’s beauty and the looming presence of a thunderstorm. Klimt's use of color and innovative techniques, such as his pointillist-like method, captures the vibrant energy of the scene, contributing to its impressive emotional depth and historical relevance in the transition from Impressionism to modern art.

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Did You Know

Gustav Klimt often spent his summers at the Attersee, a picturesque lake in Austria, which significantly influenced his artistic output and inspired numerous landscape paintings, including Approaching Thunderstorm.
In Approaching Thunderstorm, Klimt employs a distinctive pointillist technique, described as ‘trout blotches’ by art critic Ludwig Hevesi, highlighting his innovative approach to landscapes during this period.
The painting was first showcased in 1903 at the Secession’s great Klimt exhibition, where it garnered attention for its bold portrayal of natural beauty intertwined with the foreboding feeling of an approaching storm.

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