Self-Portrait of Rembrandt Van Rjin in Oriental Dress
Rembrandt’s 'Self-Portrait in Oriental Attire' from 1631 stands out as a singular work within his large oeuvre, marked by its distinctive depiction of the artist standing, clad in an exotic outfit. He dons a vibrant turban and richly detailed clothing indicative of the 17th-century fascination with the exotic. This self-portrait not only reflects the artist's versatility but also his ability to convey emotion and narrative through attire and personal expression, solidifying its status in the art world.
Year 1631
About the Artwork
This masterpiece is deeply rooted in the cultural curiosity of 17th-century Holland, where artists often turned to far-off lands as inspiration for their works. Rembrandt's choice to present himself in an Oriental costume reflects both the artistic trends of the time and his own personal explorations. Interestingly, it is the only self-portrait where he is depicted standing, which adds an assertive dimension to the piece. The inclusion of a poodle has ignited discussions about the artist's process and intent, showcasing his playful yet serious engagement with his identity throughout the years. A later copy by his pupil, Isaac de Jouderville, reveals insights into Rembrandt's initial vision and subsequent alterations, underlining the artwork’s layered history.
