The Torment of Saint Anthony (1487–1488)
Created around 1487-1488, The Torment of Saint Anthony is a compelling artwork attributed to the young Michelangelo, thought to be created when he was just 12 or 13 years old. This vibrant oil and tempera painting, measuring 47 cm x 35 cm, is based on a Schongauer engraving and features intricate details such as fish scale textures. The painting stands out as an early testament to Michelangelo's artistic excellence, despite controversy surrounding its attribution. Its current market value and historical implications highlight its importance in the art world.
Year 1487 - 1488
About the Artwork
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The Torment of Saint Anthony, attributed to Michelangelo Buonarroti, is a significant and controversial artwork from the early career of the renowned Italian artist. Here are the key points about this painting:
Attribution and Date
The painting is believed to have been created by Michelangelo when he was 12 or 13 years old, around 1487-1488. However, the attribution to Michelangelo is still a subject of debate among art historians and experts.
Inspiration and Source
The painting is a copy of an engraving by the 15th-century German master Martin Schongauer, titled 'Saint Anthony Tormented by Demons.' Michelangelo made several changes to the original composition, including adding fish scales to one of the demons, depicting Saint Anthony with a more erect head and a detached expression, and incorporating a landscape at the bottom of the composition.
Technique and Materials
The painting is executed in oil and tempera on a wood panel, measuring 47 cm x 35 cm (18 ½ inches x 13 ¼ inches). It is notable for its use of vibrant colors and the addition of detailed elements such as fish scales, which Michelangelo studied from specimens at the fish market.
Provenance
The painting was previously attributed to the workshop of Domenico Ghirlandaio, under whom Michelangelo apprenticed. It was sold at a Sotheby's auction in 2008 to an American art dealer for $2 million. After being cleaned and examined at the Metropolitan Museum of Art, it was purchased by the Kimbell Art Museum in Fort Worth, Texas, for an undisclosed amount believed to be over $6 million.
Stylistic and Technical Analysis
The painting shows stylistic hallmarks such as 'emphatic cross hatching,' which some experts believe are characteristic of Michelangelo's work. Infrared reflectography has revealed layers of underdrawing, further supporting the attribution to Michelangelo. The removal of centuries-old varnish and overpainting has also highlighted the painting's original colors and quality.
Significance
If the attribution to Michelangelo holds, this painting would be one of only four surviving panel paintings by him and the only one from his adolescence. It marks an early example of his artistic skill and innovation, even at a young age.